David Perlov’s sober and poignant documentary offers reminiscences by trial witnesses, Holocaust survivors, Israelis of the second generation, and others who were directly involved in the Eichmann case. Prominent among these are Henryk Ross, a Polish Jew who, with the help of his wife Stefania, took clandestine photographs of life in the Łódź Ghetto while carrying out Nazi orders to record Jews on their way to the death camps; and Rafi Eitan, who led the operation to capture Eichmann in Argentina. Perlov is considered the father of Israeli nonfiction cinema, having imbued it with his deeply personal, artistic sensibility.
David Perlov was born in Rio de Janeiro and grew up in Belo Horizonte. At the age of 10, he went to live with his grandfather in Saeo Paulo. At the age of 22, he moved to Paris and worked as a projectionist for the newly established Cinematheque. In 1957, he made his first short film, Tante Chinoise (Old Aunt China), based on drawings of a 12-year-old girl of the French provincial bourgeoisie of 1890 which he found in the cellar of the Paris house in which he was living. In 1958, Perlov immigrated to Israel, settling with his wife on Kibbutz Bror Hayil. The couple had two daughters.
In 1963, Perlov made a 33-minute documentary in Jerusalem. This film came to be one of the most important films of Israeli documentary cinema. Although Perlov made two feature films by 1972 (The Pill and 42:6), his film proposals were repeatedly rejected by the Israel Broadcasting Authority and Israeli film board, which found his work too lyrical. In early 1973, Perlov bought a 16 mm camera and filmed his everyday life alongside dramatic events that took place in Israel at the time. He continued for 10 years until Channel 4 of British television expressed an interest in the project in 1983. The result was Perlov’s Work Diary. From 1973 Perlov taught in the department of film and television at Tel Aviv University.